收購相機及鏡頭 您用不到相機鏡頭 不論新舊，都可以換現金 陪您走過每個黃金歲月的年頭，現在因為家庭或工作總總因素，這些可愛的相機及鏡頭寶貝們，除了躺在倉庫，安靜在防潮箱等候主人帶它們出勤之外，應該可以有個兩全其美的辦法＂就是讓給有緣人＂，讓它再度發揮存在地球上的價值吧！
fujifilm相機收購
fujifilm相機收購fujifilm has just announced the $1,500 X-T3, which is the latest addition to the company’s X Series lineup of APS-C mirrorless cameras. It’s the follow-up to 2016’s X-T2, a beloved camera — among fujifilm相機收購fujifilm shooters, anyway — that’s grown more powerful and capable over time thanks to a bevy of firmware updates. The X-T2 of today is an entirely different beast than when I first tested it. Its autofocus, video capabilities, and subject tracking have all been extensively fine-tuned. But having hit the ceiling for what it can get out of the X-T2, fujifilm相機收購fujifilm has decided that now’s the time for new hardware.
The X-T3 marks the debut of a new 26.1-megapixel sensor, it can shoot 4K video at 60 fps, and it promises the best auto-focus system that the company has produced yet. It goes on sale September 20th at a starting price of $1,499.95 (or $1,899.99 with the familiar 18-55 kit lens). The X-T3 actually costs $100 less than the X-T2 did at launch. To hit that price point, fujifilm相機收購fujifilm moved assembly of the camera from Japan to China, a decision that isn’t sitting so well with some of the company’s fans. Unlike the proud, prominent “made in Japan” that was stamped onto the back of the X-T2, the China acknowledgement is hidden away behind the rear LCD.
But after handling the X-T3 for a bit — and as someone who has tallied years of experience with the X-T1 and X-T2 — I think you can probably leave any negative assumptions or concerns over build quality at the door. This feels like an X Series everywhere I look and feel. fujifilm相機收購fujifilm has already produced several bodies and lenses between China, Thailand, and the Philippines, and there’s been no obvious disparity between them and the Japan-made units. The X-T3 shares the same body style and button placement as the X-T2, though it measures slightly larger and is a tad heavier.
I want to run through some of my favorite smaller additions before going too deep on specs. The X-T3 connects over USB-C (USB 3.1) for faster tethering performance, though fujifilm相機收購fujifilm tells me that charging the battery by USB takes about as long as it did with the X-T2. What, we can’t put USB Power Delivery into a camera? The X-T3 has a built-in headphone jack for audio monitoring (you don’t need the vertical grip anymore), and has a pull-out, lockable diopter; it was way too easy to accidentally rotate the old one, so I’m glad fujifilm相機收購fujifilm took notice. The dials on top and buttons on back are all a little larger, too.
At 3.69 million dots, the X-T3’s 0.5-inch OLED electronic viewfinder is far sharper than the X-T2’s was. Its refresh rate is 100 fps, and there’s a display time lag of 0.005 seconds. Fuji hasn’t made any substantial changes to the rear LCD beyond making it a touchscreen. It’s still a 1.04 million-dot panel, which is falling behind the mirrorless pack a bit, but now you can tap to focus or even fire off a shot if you feel the need. It still tilts three ways (up, down, and to the right), but won’t flip 180 degrees for selfies or blogging.
The new backside-illuminated X-Trans CMOS 4 sensor is paired with fujifilm相機收購fujifilm’s X-Processor 4, a quad-core CPU that is three times faster than current X Series cameras. More power means the X-T3 refocuses and meters 1.5 times more frequently than the X-T2 does. The new processor is also more efficient, so fujifilm相機收購fujifilm has upped the estimate of shots you’ll get on a full battery from 340 (X-T2) to 390. That’s nice and all, but you’ll definitely still want to carry a spare.
fujifilm相機收購fujifilm has spread phase detection pixels — 2.16 million of them in all — across the entire sensor area. For single-point focusing, you can choose between seeing either 117 AF points or the overwhelming-but-very-precise 425. Offering such a comprehensive spread of phase-detect AF points might prove one of the X-T3’s best strengths. Low-light focusing could be another. The X-T3’s phase detect AF can focus down to -3EV compared to -1EV on the X-T2. fujifilm相機收購fujifilm also says that the camera’s face and eye detection have gotten better (with eye detection now available in AF-C). These changes all lead to much higher hit rates for the autofocus system across the board, the company claims.
Continuous autofocus using the mechanical shutter tops out at 11 fps; with the X-T2, you had to buy the expensive vertical grip to get that 11 fps burst mode, but now it’s all in-body; no accessories required. Switch over to the electronic shutter (and a 1.25x crop) and you can crank that way up to 30 fps of blackout-free continuous shooting.
All of fujifilm相機收購fujifilm’s usual film simulation filters are here — as is the company’s signature, phenomenal out-of-camera JPEG quality. And the X-T3 also picks up a new “color chrome effect” that boosts saturation and detail in shadows. This was already available on the company’s GFX 50S medium-format, but now it’s coming to the X Series. There’s also now an option to adjust monochrome shots between warm and cool tones to your preference.
And then there’s video, the area where fujifilm相機收購fujifilm claims it has achieved a number of firsts. The X-T3 “is the first mirrorless digital camera capable of internal SD card 4K/60P 4:2:0 10bit recording and the first mirrorless digital camera with APS-C or larger sensor that is capable of 4K/60P 4:2:2 10bit HDMI output,” according to the company. It supports H.264, but also adds H.265 for more efficient compression; opting for HEVC allows you to set a high-quality bitrate of 400 Mbps when shooting 4K at 30 or 24 fps. (The limit for other modes is 200 Mbps.)
fujifilm相機收購fujifilm says it has reduced rolling shutter to under 10 milliseconds. The X-T3 gains the Eterna film simulation that debuted on the X-H1; it’s useful for quick grading if you don’t want to go all in and record F-Log. The company also added zebra stripes to help with exposure and “a new noise reduction algorithm and 4K inter-frame noise reduction.”
On multiple fronts, the X-T3 seems to be a great evolution of the X-T2. With a new sensor, speedier processor, significantly improved autofocus, and even better EVF than before, there’s a lot to like — and that’s before factoring in video and buttery-smooth 4K60P. The X-T2, like the X-T1 before it, proved itself to be an excellent workhorse cameras, so I’m looking forward to some time testing the X-T3.
If you want or need in-body image stabilization, you’ll need to look to the X-H1; fujifilm相機收購fujifilm still considers that camera its flagship despite all the advancements it’s making with the X-T3. A lot of what’s here will no doubt be found in an eventual X-H2 and, as is tradition, a lower-priced XT-30. But outside of IBIS, if you’re firmly in favor of upgrading to the latest X Series, it’s hard to imagine how or where you’ll be disappointed.
我們想讓你知道…佛心來著啊…..
記者莊友直／台北報導
富士在今（9/7）日於日本的 fujikina 2017 發表會中，不僅推出了整合觸控螢幕與搖桿，可說上打旗艦機的 X-E3 微單，也同步針對 X-Pro 2、X-T2 機皇、高階類單 X100F 做出更新，其中終於讓 X-Pro 2 有 4K 錄影能力之餘，也同步提升對焦、甚至第三方閃燈的高速同步觸發等新功能。
首先針對新相機韌體部分，本次比較重要的可說是富士雙機皇 X-Pro 2 以及 X-T2，在對焦系統上，導入與 X-E3 相同的演算法，可讓 AF-C 追蹤對焦時速度提升 2 倍，且鎖定被攝物的「泡泡框」也能縮小一半，提升追焦準確率。
▼身為綜合性能最高的 X-T2，本次更新最重要的功能除了外閃支援性，跟蹤對焦也提升至 X-E3 的水準。（圖／翻攝自官網）
X-Pro 2 雖是主打復古、慢拍機型的類 RF 旁軸相機設計，不過久無 4K 錄影也受到不少用戶批評，希望以軟體更新的方式加入。在本次的新軟體中，官方也終於實現廣大用戶意見，可透過底片模擬方式加入 4K 錄影功能，對於數年前的機種來說，實在相當佛心啊（看看另一家死不加 4K 的相機廠商…..）。
▼X-Pro 2 最大的亮點，應該就屬終於加入的 4K 錄影功能了。（圖／翻攝自官網）
本次更新對於專業用戶來說，還有一項更重要的功能，就是提升第三方閃燈廠商的支援性。只要藉由專屬無線觸發器，就能讓 X-T2、X-Pro 2 甚至 X100F 搭配棚燈拍出高速同步或是 TTL 自動模式，首波將由 Profoto 的 Air Remote TTL-F 打頭牌，具備 B1X 等高階棚燈的朋友可以完全解放啦！
▼此次更新對專業攝影師來說，最棒的功能就是支援第三方外閃的高速同步與 TTL 模式，Profoto 也同步推出專用的 Air Remote TTL-F 無線觸發器。（圖／翻攝自官網）
另外，富士也同步推出新版的解 RAW 檔軟體《fujifilm相機收購fujifilm X RAW STUDIO》，可在電腦單張或是大量批次處理之餘，也能直接以機身連接電腦轉檔，預計 11 月底先推 Mac 版，明年 1 月底則是 Windows 版本。
富士 X-T2 Ver.3.00 軟體預計 11 月底開放更新、X-Pro 2 Ver.4.00 和 X100F Ver.2.00 皆是 12 月底開放下載。
fujifilm相機收購 fujifilm相機收購
fujifilm相機收購
/
Polaroid recently tried pushing the envelope with the new Polaroid I-2 instant camera, and now fujifilm相機收購fujifilm’s taking a stab at it, too. On Wednesday, the company announced it’s releasing a new kind of instant film product geared for kids, the Instax Pal digital camera bundle, for $199.95 in late October.
The Instax Pal is essentially a palm-sized, round digital camera that doesn’t print any photos and lacks a built-in viewfinder. Instead, it outputs images using the companion app, and you can then print these photos via the included Instax Mini Link 2 smartphone printer. The price also includes a 10-pack of Instax Mini film, which is a nice extra that fujifilm相機收購fujifilm’s instant cameras don’t often come with.
I’m not going to lie: my first thought when I heard about the Instax Pal was: “But… why?” After all, fujifilm相機收購fujifilm already sells the Instax Mini Evo instant camera, which can also output images to an app and prints photos for around the same price. It also comes with an actual viewfinder along with other controls that make it feel like a real camera. The Instax Mini Evo also doesn’t try to guilt trip me into using it by making strange, sad sounds when it’s sitting idle.
My best guess is that fujifilm相機收購fujifilm’s trying to replicate some of its Instax Mini Evo instant camera success by creating an easier-to-use, cuter version for kids. That’s why everything about the camera is designed to scream “fun.” You can, for example, create your own custom shutter sounds, add filters, text, and in-app stickers, and apparently even earn rewards (though I’m still figuring out how). And, of course, its small size and detachable ring should make it easier for smaller hands to hold.
At the same time, like the Instax Mini Evo, kids get to choose which photos they want to print. That’s a feature parents will particularly like, given it can help kids avoid wasting expensive film on bad shots.
But is all that worth $199.95? I’m still testing the camera and its app — which is still very much a work in progress — so I can’t give a definite opinion yet. But so far, I’m not convinced it is. An instant film camera that doesn’t print any photos and lacks a built-in viewfinder? It doesn’t feel like the Instax Pal is a camera so much as a cute accessory bundled with a smartphone printer.
（圖／記者黃肇祥攝）
日本知名連鎖像機通路 Map Camera 公布年度最熱銷相機、鏡頭兩大排行榜，Nikon 一舉稱霸兩大榜單，可以說是 2023 年的最大贏家，不過從鏡頭的銷售數量來看，Sony 仍舊握有規模龐大的攝影用戶。
2023 年最熱門相機是 Nikon 旗下的 Z8，繼承機皇 Z9 多數規格、效能，還把體積做得更小、價格變便宜，廣受消費者喜愛，其次 Nikon 的 Zf 復古相機也排在第三名。然而綜觀整個榜單，Sony 以 α7RV、α7IV、α7C II 分別攻下第 4-6 名，是入榜最多機款的品牌。
另外還能發現，唯一不可換鏡頭的是有「街拍神機」之稱的理光 RICOH GRIIIx，搶下了第七名，隨身小相機近年藉由社群媒體的推波助瀾，獲得許多年輕用戶的喜愛，說明即便在手機的夾擊之下，隨身相機仍有殺出重圍的可能。
1.Nikon Z8
2.Canon R6 II
3.Nikon Zf
4.SONY α7RV
5.SONY α7IV
6.SONY α7C II
7.RICOH GR IIIx
8.fujifilm相機收購fujifilm X-S10
9.Panasonic LUMIX S5II
10.fujifilm相機收購fujifilm X-T5
鏡頭方面，或許是為了與 Z8 搭配，最熱賣的型號又是由 Nikon 搶下，頂級的變焦鏡頭 Z 24-120mm f/4 獲得第一名。不過從鏡頭銷售排行來看，能發現 Sony 在市場上的領導地位，包含自家推出的原廠鏡頭以及第三方廠商 TAMRON 推出的 28-200mm F2.8-5.6 Di III RXD，讓 E 接環鏡頭一口氣佔了五席之多。
此外，消費者更傾向選購功能性多元的變焦鏡頭，只有 Canon RF 50mm f/1.8 STM、Nikkor Z 26mm f/2.8、Sony FE 50mm f/1.4 G Master 三款定焦鏡頭上榜。唯一入榜的 APS-C 鏡頭則是由 Sigma 替富士 X 接環打造的 18-50mm f/2.8 DC DN。
1.Nikon Z 24-120mm f/4
2.Tamron 28-75mm f/2.8 Di III VXD G2
3.Nikon Z 180-600mm f/5.6-6.3 VR
4.SONY FE 20-70mm F4 G SEL2070G
5.TAMRON 28-200mm F2.8-5.6 Di III（Sony E接環）
6.Canon RF50mm F1.8 STM
7.SIGMA C 18-50mm F2.8 DC DN (富士 X 接環)
8.Nikon NIKKOR Z 26mm F2.8
9.SONY FE 24-70mm F2.8 GM II SEL2470GM2
10.SONY FE 50mm F1.4 GM SEL50F14GM
fujifilm相機收購 fujifilm相機收購
fujifilm相機收購
（圖片來源／fujifilm相機收購fujifilm）
富士即將帶來一波新相機潮？根據外媒爆料，傳富士將在明年初一口氣發表至少 3 款以上的新相機，其中還包含熱銷款的 X100V 的後繼機款。
外媒《fujirumors》獲得消息指出，在 2024 年頭幾個月，富士就會推出比 2023 年還要多的新相機陣容，詳細數字沒有透露，有鑒於今年富士只推 X-S20、GFX100 II 兩款新機，因此預計至少有 3 款起跳。除了在 2017 年發表 X100F、X-T20 以及 GFX 50S 三款機型，富士鮮少會在同一年發表這麼 X/GFX 系列的新機型。
會有哪些產品呢？《fujirumors》暗示一定會有 X100V 的後繼機款。這款復古風的旁軸隨身機，由於極具文青氣息的外觀以及富士獨有的色彩美學，透過社群媒體托波助瀾可以說是一機難求，價格不斷攀升，甚至曾出現二手價格追上原始售價的現象。新機上市後，或將再帶起一波搶購熱潮
（圖片來源／fujifilm相機收購fujifilm）
富士將在 2 月 20 日於東京舉辦今年第一場 X Summit 高峰會，受到許多攝影愛好者期待的 X100V 後繼機款傳出即將登場，最新爆料於今日首度揭露實機照片，將維持經典的文青造型。
根據外媒外媒《fujirumors》釋出兩張宣稱是 X100 VI 的實機照片，可以看到與現有的 X100V 幾乎沒有差異，仍是採用旁軸設計搭配素皮，將取景器設置於機身左側，螢幕右方有用於操控方向的小搖桿，以及三顆按鍵，唯一不同的地方是在機身背面右側，原本有一顆藍牙標示的按鈕，在最新的 X100 VI 機身是看不到的。
（圖／翻攝fujirumors）
（圖／翻攝fujirumors）
據悉，X100 VI 會沿用相同的 23mm 焦距、F2 光圈鏡頭，主要聚焦於內部升級，採用 X-Trans V 影像處理器與 4000 萬畫素感光元件，支援機身防手震，價格將會調漲 200 美元（約 6,268 元）至 1599 美元（約 50,119 元）。
相較於富士其他相機，X100 系列不只在於造型搶眼，同時採用不可替換鏡頭，儘管犧牲了焦段的變化性，卻也帶來更輕巧的機身，近年在社群媒體的推波助瀾之下，是許多攝影愛好者的隨身相機首選，也是目前市場上，除了理光 GR 系列以外，少數還願意推出類單眼相機的品牌。
fujifilm相機收購 fujifilm相機收購
fujifilm相機收購
隨身印相機將影像實體化，很受時下年輕人喜愛。（達志）
照片只能躺在手機裡未免太孤單了！近年復古風潮反撲，外型輕巧的隨身型印相機竄紅，主打連接手機就能隨拍隨印，也免去傳統拍立得不能挑選美照的困擾，甚至成為增添旅行樂趣的方式。尤其對於熱愛手寫手帳的人來說，更是不能缺少的好工具。
Canon SELPHY CP1500可列印明信片尺寸。
【選購條件抓重點】
選購隨身印相機，除了外觀和機身重量，還有4大條件需要仔細考量，包括列印品質、附加功能、電池續航力，以及耗材。
熱昇華不易褪色 底片型復古情
目前隨身印相機的列印畫質已經提升很多，主要分為熱感應、熱昇華與底片三種技術。前兩者以熱昇華為主流，列印品質相對較佳，跟傳統沖洗照片沒差太多，列印顏色飽和且不易褪色，熱感應較容易有色差。底片型則為不同訴求，是相似拍立得的復古質感，也受不少年輕人喜愛。
編輯功能、拍立得機種更有趣
在影片編輯的潮流下，隨身印相機也開始強調多元的附加功能，讓實體照片更有溫度！提供專用的編輯App已是基本功能，像是美肌、添加浮水印、寫字、套用濾鏡等來完成創意照片，但要注意的是各機型App內建的豐富度還是有差異。
也有品牌推出留聲照片及QR Code影片功能，讓平面照片多了聲音或動態，多年後將舊照片拿出來回憶時，更容易喚起當時情景。
若你還在拍立得跟印相機之間猶豫不決，市面上也有「小孩才做選擇，大人我都要」的二合一款式，本身是一台拍立得，也能兼當印相機，只是價格會稍微高些。
帶著一台印相機出門，隨時拍隨時印，已經成為年輕人的另一種旅遊樂趣。(達志)
電池續航力 不殺風景
會購入隨身型機種，大多是有外出攜帶的需求，以市售機種的電池續航力規格來說，部分機型充飽電只能拍20張照片，也有機型可拍100張，介意電力表現者可得好好比較。
相紙耗材是額外花費
耗材則是一筆額外的花費，相紙本身並不算便宜，平均來講，列印一張的成本約10多元至20多元左右。隨身印相機受限體積，大多只能列印2×3尺寸，最大也只能到4×6的明信片尺寸，如有更大的尺寸要求，選擇家用型會更為理想。
隨身印相機可隨拍隨印，別讓照片只躺在手機裡。圖為fujifilm相機收購fujifilm instax mini Link2。
fujifilm相機收購fujifilm instax mini Link2 空中繪畫新樂趣
fujifilm相機收購fujifilm instax mini Link2採底片列印，主打新功能為instax AiR空中繪畫，將印相機側面的LED燈指向手機，就能將印相機化為空中畫筆，直接在照片上繪圖，繪製過程還能錄成QR Code影片。另外，也能遙控手機拍攝，擺動印相機就能進行變焦，按下機身上的電源鍵即可拍攝照片。
fujifilm相機收購fujifilm instax mini Link2，參考售價3,790元。
Canon SELPHY SQUARE QX10 相片還能兼貼紙
Canon SELPHY SQUARE QX10採熱昇華技術，主打「正方形列印」，採用1：1比例的相片貼紙，可直接列印出IG常用的方形尺寸，特別的是，相片本身也是貼紙，撕開後能隨意黏貼，例如貼在手帳上。
Canon SELPHY SQUARE QX10，參考售價4,690元。
柯達P210R 4Pass列印更持久
柯達P210R採熱昇華技術，透過專用App可進行照片編輯，例如調色、濾鏡、打字、調整邊框等，也能利用App直接製作一張有自己人像的名片。主打4Pass列印技術，意指以不同顏色塗層列印，層壓處理讓顏色效果持久。
柯達P210R，參考售價4,490元。
（PChome 24h購物提供）
Canon SELPHY CP1500 可印大尺寸明信片
隨身印相機受限機身尺寸，大多只能用來列印2×3相紙，如果想要大一點的尺寸，可考慮Canon SELPHY CP1500，最大列印4×6的明信片尺寸，雖然外型沒有口袋款式那麼小巧，重量也僅850公克，出國旅遊放進行李箱還是相當方便的。採熱昇華技術，支援手機、電腦等裝置列印。
Canon SELPHY CP1500，參考售價4,990元。
fujifilm相機收購fujifilm instax mini Evo 拍立得兼印相機
如果在拍立得跟印相機之間猶豫不決者，fujifilm相機收購fujifilm instax mini Evo是不錯的選擇，具二合一功能，印相機用法跟一般相同，同樣連接手機就能列印。另外，機身擁有3吋螢幕，突破傳統拍立得不能檢視照片的缺點，提供10種鏡頭和10種底片效果，號稱玩出100種效果。
fujifilm相機收購fujifilm instax mini Evo，參考售價6,290元。
圖、文／NOVA情報誌
極速連拍追焦 專業攝錄雙進階
（揉眼睛）哇、你看看這張照片，當年的你身材苗條，表情超甜美，一臉青春洋溢，笑得可燦爛，簡直正翻天～唉唉、讓人不勝唏噓啊！「（怒）來來來，給我說清楚，你是說老娘現在身材走樣又變醜嗎？」冤枉啊，我是誇妳水噹噹，感嘆歲月一去不回頭，還好有留下這美麗倩影。對了，這讓我想到上月趁暑假帶大寶二寶出國玩，之前相機壞掉就沒買，貪圖方便手機拍，螢幕上看還好，但傳到電腦後發現跟相機還是有落差，尤其拍不出那個Fu！這樣不行，回憶無價，小孩一下子就成大，看來需要買台新相機來好好紀錄！
「知道就好，人家隔壁老王有學過攝影，上週帶小朋友出去玩，那臉書分享的照片一張比一張美，還有厲害的散景模糊夢幻感，真的差很大！」哼、聽到隔壁老王比我行（好像怪怪的），身為男人怎能嚥下這口氣，廢話不說，速速物色款高階厲害相機！唉呀，聽說這期情報誌封面是我最愛的「峮峮」（笑），且剛好有相機採購專題，趕緊收藏一本來練功…買好機…讚讚～
高階「無反全片幅」 穩居攝界新主流
「當上帝關上一扇門，必將打開另一扇窗」，無疑是近年來數位相機市場最佳寫照！儘管手機拍照性能越來越強，消費型DSC小相機幾乎被殘酷消滅殆盡；然而手機鏡頭小，有其天生物理限制，對於想真正保存重要點滴回憶或捕捉最美瞬間者，會萌生「想買就買好一點」想法。畢竟攝影需求始終存在！轉而將目光投向畫質性能好，連拍追焦犀利，容易拍出散景的可更換鏡頭「高階三劍客」相機，並迅速帶動蓬勃發展，開啟相機大廠們第二春。
然而這「高階三劍客」各有特色與需求定位！新興的「無反全片幅EVIL」因拿掉反光鏡結構，體型相對輕巧，且性能與畫質技術已不輸單反，極受專業&進階攝影玩家青睞，尤其去年起除佈局已久的Sony外，包含光學大廠Canon、Nikon等陸續跨足這「無反全片幅」領域，全面帶動話題與銷售人氣，開始取代「單反」成為主流，預計今年市佔率續攀升，穩居未來數年「攝王」地位！
而傳統大單「單反DSLR」發展最早，畫質技術成熟，擁有30年以上龐大鏡頭群資產，加上絕佳操控手感與拍攝高張數電量，仍受到商業攝影界推崇。至於體態輕盈小巧的「無反小微單」，攜帶方便，外貌出眾CP值高，自拍、美肌、錄影樣樣精，持續擄獲旅遊人士、部落客與女性朋友芳心！青菜蘿蔔各有所好，這三劍客互有擁護群，三分天下割據高階機市場！
高速連拍超高像素 AI準確眼偵追焦
拍攝性能上，今年高階機續朝「雙高」高速連拍&超高像素有感突破！高速連拍好處不在話下，有助於拍攝移動中物體、婚禮宴會、運動路跑或好動小孩Q萌表情瞬間。目前坊間除少數旗艦款做到驚人每秒20張、18張連拍外，多數機種連拍速度維持10張以下，好消息從下半年起，多家大廠新機將跨越10張連拍門檻，意謂攝界即將全面迎向「雙位數」連拍速世代！
同時超高像素機也將成為市場一大話題！像素高對於整體影像細緻度有其幫助，特別是專業領域，大可拍一張去擷圖，得到想要的局部影像，或是因應大圖輸出等需求。富士近期就推出無反中片幅（比全片幅大1.7倍）機GFX100，搭載驚人的一億兩百萬像素，但價格同樣驚人，要價約30萬；無獨有偶的，Sony新上市的α7R Ⅳ四代機，亦將像素提升到無反全片幅機中最高的6100萬等級，機身售價還控制專業攝影領域可接受10萬以下，預計將帶動業界超高像素風潮。
而伴隨著核心處理引擎增強，相機的對焦速度、準確性與追焦範圍隨之更犀利，各家紛紛在既有臉部辨識下增添眼睛偵測對焦，搭配上即時動態追蹤，讓使用者無論靜態或動態下，皆輕鬆拍出清晰臉孔與炯炯有神完美人像，甚至藉由先進AI智慧大數據學習，達到「人&物」對焦更精準敏捷。舉例Sony系列機做到連寵物毛小孩都納入眼部即時偵測對焦；Olympus OM-D旗艦款還能針對高速的賽車、飛機、火車鎖定AI追焦，凍結紀錄主體瞬間，讓愛好者樂翻。
錄影功能全面增強 影音自拍外接擴充
相機不只專司靜態拍攝，伴隨錄影功能強大，開始取代傳統DV攝錄機，成為居家記錄小孩成長點滴主要配備，以及坊間專業錄影工作者實用生財工具！尤其在全球Vlog熱夯下， 近年YouTuber與影片創作者需求大增，為迎合這龐大新興錄影市場，各家新機持續在錄影性能&應用上全面加碼競逐。
目前市場多數機型已提供4K/30Fps每秒30格高解析錄影品質，動作積極的品牌如fujifilm相機收購fujifilm，更內建達4K每秒60格先進技術悍機，讓錄製畫面流暢度表現更好。尤其在4K優異畫質基礎下，各家有志一同朝「質量」做提升，諸如導入4K無裁切錄影，套用更細緻6K、5K高資料量來錄製4K，甚至支援專業人士很愛的S-Log模式，保留更多亮度動態範圍與暗部層次細節，大助於影片後製。
尤其因應YouTuber影音自拍需求，各家主力受歡迎的「無反小微單」提供180度翻轉自拍螢幕&美肌功能，並移植進階的專業攝錄技術與導入完善外接擴充能力，再搭配廠商貼心規劃的專屬手持自拍架與專業收音麥克風供另購，讓網美、網紅與影片創作者，更輕易拍出自我最佳魅力影片與效果！
操作順手聰明購 公司貨物超所值
面對種類多元，學問深的可換鏡頭相機，「該如何聰明購呢？」首先考量自我拍攝需求，主要拍日常生活，還是專業使用，再根據口袋預算，挑選最適合的產品。若是一般生活拍攝，APS-C無反微單機已經很足夠，畫質與景深效果都可達一般人對單眼認知，目前2萬上下就有很好產品。若預算更充裕，想追求高畫質或晉升專業級攝影，則可鎖定能輕鬆拍出散景的無反全片幅機，目前坊間入門款機身4萬多元就能擁有。鏡頭搭配上，建議先從標準Kit一機一鏡或雙鏡組入門即可，後續當熟悉鏡頭焦段特性極限，再視需求選購定焦人像鏡或長焦旅遊鏡。
最後相機的操作順手性不能忽視，購買前務必花點時間到展示店試試手感與拍攝感覺；下手前無論實體或網路商店購買，建議盡可能買公司貨，不要為了省那一些小錢買水貨；公司貨提供更好服務與快速維修機制，水貨機一但發生故障，往往維修需等1-2個月；重要是公司貨還享有各原廠/代理商每月提供的眾多「免費攝影教學課程」與商品技術諮詢服務，加總這些附加價值，絕對更相對划算，物超所值喔！
文【NOVA情報誌】http://ebook.nova.com.tw
fujifilm相機收購 fujifilm相機收購
fujifilm相機收購
None
（圖／本報資料照）
據《日經》數據，截至目前為止，在全球 70 個市場進行的市調指出，Canon 仍然是全球數位相機的王者品牌，保有 47.9% 的市占、將近一半。相比前一年，Canon 亦有 2.5% 的市占成長，與排名第二的 Sony 是唯二迎來市占成長的品牌。
其他品牌方面，第二的 Sony 則有 22.1 市占，而昔日與 Canon 爭奪地位的 Nikon 則下修 4.9%，落至 13.7% 排名第三。富（fujifilm相機收購fujifilm）則以 5.6% 排名第四，領先第五的 Panasonic（4.4%）。
目前，數位相機市場亦仍由日商統治，除了五大品牌來皆來自日本，加總起來的市占亦來到 93.8%。不過隨著智慧手機帶來的競爭，加上疫情因素減少拍攝需求，2020 年全球數位相機出貨量僅有 885 萬台、年減 40.3%，仍無法有效止跌。
fujifilm相機收購 fujifilm相機收購
fujifilm相機收購
（圖片來源／Sony）
2021 年全球晶片短缺仍不見緩解，除了電腦、汽車晶片外，這把火目前正延燒到數位相機行業，Sony 就是這波缺貨潮最新受害者。
據外媒《Digital Camera World》的報導，Sony PS5 遊戲主機因晶片短缺導致缺貨已有一年時間，而現在 Sony 自家的 A6100、6400 與 A7II 三款數位相機也被官方警告即將被暫停訂單，這將影響許多希望在黑色星期五（Black Friday）購入的消費者。
Sony 官方表示，由於相機元件供應問題，Sony 受歡迎的 A6100、6400 與 A7II 將在 2021 年 11 月 19 日後於各大零售網站暫停出貨。除了相機外，其他周邊配件與攝影機也一併缺貨，包括 ECM-B1M 麥克風、PXW-Z190 專業攝影器材等，另有 HDR-CX680 數位攝影機、VCT-P300 三腳架與 VCT-MP1 多腳架也受到影響。
除了 Sony 外，其他廠商也受晶片短缺問題所苦，例如 Canon（佳能）的 EOS R3、fujifilm相機收購fujifilm（富士軟片）的 FUJINON 33mm f/1.4 鏡頭也宣佈延遲出貨，及 Leica（萊卡）的 M11 相機也傳出將延至 2022 年上市。
報導指出，為了舒緩晶片短缺問題，外傳 Sony 已經與台積電（TSMC）建立戰略聯盟關係，以取得更多晶片的生產優先權。據《日本經濟新聞》的說法，台積電已經開始計劃在日本建立生產線，最快於 2022 年開始建造，2024 年正式開始供貨。
隨身印相機將影像實體化，很受時下年輕人喜愛。（達志）
照片只能躺在手機裡未免太孤單了！近年復古風潮反撲，外型輕巧的隨身型印相機竄紅，主打連接手機就能隨拍隨印，也免去傳統拍立得不能挑選美照的困擾，甚至成為增添旅行樂趣的方式。尤其對於熱愛手寫手帳的人來說，更是不能缺少的好工具。
Canon SELPHY CP1500可列印明信片尺寸。
【選購條件抓重點】
選購隨身印相機，除了外觀和機身重量，還有4大條件需要仔細考量，包括列印品質、附加功能、電池續航力，以及耗材。
熱昇華不易褪色 底片型復古情
目前隨身印相機的列印畫質已經提升很多，主要分為熱感應、熱昇華與底片三種技術。前兩者以熱昇華為主流，列印品質相對較佳，跟傳統沖洗照片沒差太多，列印顏色飽和且不易褪色，熱感應較容易有色差。底片型則為不同訴求，是相似拍立得的復古質感，也受不少年輕人喜愛。
編輯功能、拍立得機種更有趣
在影片編輯的潮流下，隨身印相機也開始強調多元的附加功能，讓實體照片更有溫度！提供專用的編輯App已是基本功能，像是美肌、添加浮水印、寫字、套用濾鏡等來完成創意照片，但要注意的是各機型App內建的豐富度還是有差異。
也有品牌推出留聲照片及QR Code影片功能，讓平面照片多了聲音或動態，多年後將舊照片拿出來回憶時，更容易喚起當時情景。
若你還在拍立得跟印相機之間猶豫不決，市面上也有「小孩才做選擇，大人我都要」的二合一款式，本身是一台拍立得，也能兼當印相機，只是價格會稍微高些。
帶著一台印相機出門，隨時拍隨時印，已經成為年輕人的另一種旅遊樂趣。(達志)
電池續航力 不殺風景
會購入隨身型機種，大多是有外出攜帶的需求，以市售機種的電池續航力規格來說，部分機型充飽電只能拍20張照片，也有機型可拍100張，介意電力表現者可得好好比較。
相紙耗材是額外花費
耗材則是一筆額外的花費，相紙本身並不算便宜，平均來講，列印一張的成本約10多元至20多元左右。隨身印相機受限體積，大多只能列印2×3尺寸，最大也只能到4×6的明信片尺寸，如有更大的尺寸要求，選擇家用型會更為理想。
隨身印相機可隨拍隨印，別讓照片只躺在手機裡。圖為fujifilm相機收購fujifilm instax mini Link2。
fujifilm相機收購fujifilm instax mini Link2 空中繪畫新樂趣
fujifilm相機收購fujifilm instax mini Link2採底片列印，主打新功能為instax AiR空中繪畫，將印相機側面的LED燈指向手機，就能將印相機化為空中畫筆，直接在照片上繪圖，繪製過程還能錄成QR Code影片。另外，也能遙控手機拍攝，擺動印相機就能進行變焦，按下機身上的電源鍵即可拍攝照片。
fujifilm相機收購fujifilm instax mini Link2，參考售價3,790元。
Canon SELPHY SQUARE QX10 相片還能兼貼紙
Canon SELPHY SQUARE QX10採熱昇華技術，主打「正方形列印」，採用1：1比例的相片貼紙，可直接列印出IG常用的方形尺寸，特別的是，相片本身也是貼紙，撕開後能隨意黏貼，例如貼在手帳上。
Canon SELPHY SQUARE QX10，參考售價4,690元。
柯達P210R 4Pass列印更持久
柯達P210R採熱昇華技術，透過專用App可進行照片編輯，例如調色、濾鏡、打字、調整邊框等，也能利用App直接製作一張有自己人像的名片。主打4Pass列印技術，意指以不同顏色塗層列印，層壓處理讓顏色效果持久。
柯達P210R，參考售價4,490元。
（PChome 24h購物提供）
Canon SELPHY CP1500 可印大尺寸明信片
隨身印相機受限機身尺寸，大多只能用來列印2×3相紙，如果想要大一點的尺寸，可考慮Canon SELPHY CP1500，最大列印4×6的明信片尺寸，雖然外型沒有口袋款式那麼小巧，重量也僅850公克，出國旅遊放進行李箱還是相當方便的。採熱昇華技術，支援手機、電腦等裝置列印。
Canon SELPHY CP1500，參考售價4,990元。
fujifilm相機收購fujifilm instax mini Evo 拍立得兼印相機
如果在拍立得跟印相機之間猶豫不決者，fujifilm相機收購fujifilm instax mini Evo是不錯的選擇，具二合一功能，印相機用法跟一般相同，同樣連接手機就能列印。另外，機身擁有3吋螢幕，突破傳統拍立得不能檢視照片的缺點，提供10種鏡頭和10種底片效果，號稱玩出100種效果。
fujifilm相機收購fujifilm instax mini Evo，參考售價6,290元。
fujifilm相機收購 fujifilm相機收購
fujifilm相機收購
None
特約記者洪聖壹／綜合報導
SONY 相機部門宣布推出新功能，只要在PC端下載“ Imaging Edge”應用程式，接著只要把相機透過 USB 連接電腦，就可以當作網路視訊鏡頭來用，如此一來不用擔心電腦視訊鏡頭不夠力，甚至還可以做直播、拍影片。
從 SONY 公開的官方資訊來看，目前有 35 款相機支援這個功能，包括最新發表的網紅神器 SONY ZV-1、Alpha 7S III。其他機種如下：
Alpha 9 II，Alpha 9，Alpha 7R IV，Alpha 7R III，Alpha 7R II，Alpha 7S II，Alpha 7S，Alpha 7 III，Alpha 7 II，Alpha 6600，Alpha 6400，Alpha 6100，RX100 VII ，RX100 VI，RX0 II，RX
除了SONY之外，Canon、Olympus、Panasonic、fujifilm相機收購fujifilm、GoPro 其實在今年都相繼開放相同的形式連接電腦當視訊鏡頭。不過 Canon 公司支援度比較高，它的應用程式 EOS Webcam Utility 提供了 Windows 10、MacOS 10.15 (Catalina), 10.14 (Mojave), or 10.13 (High Sierra) 等多版本下載。
至於 GoPro 則需要先更新相機韌體，然後下載GoPro Webcam 桌面應用程式到電腦，之後直接接上原廠 USB to USB-C 的傳輸線，就可以把相機當網路鏡頭使用，基本拍攝品質為 1080p@30fps，支援Google Meet、Skype、微軟Teams等視訊功能，另外Twitch（要另外接OBS）、Facebook、YouTube、Vimeo、虎牙、B站等知名直播平台都是直接插好就可以使用。
然而記者前往SONY相機應用程式下載頁面發現，這個應用程式只支援 Windows 10 作業系統，並不支援其他老舊的 Windows 機種，也沒有 MacOS 版本，只能說慢慢來了…
＊相關應用程式下載鏈接： Imaging Edge、 EOS Webcam Utility、GoPro Webcam Desktop Utility
fujifilm相機收購 fujifilm相機收購
fujifilm相機收購
（圖／記者黃肇祥攝）
日本知名連鎖像機通路 Map Camera 公布年度最熱銷相機、鏡頭兩大排行榜，Nikon 一舉稱霸兩大榜單，可以說是 2023 年的最大贏家，不過從鏡頭的銷售數量來看，Sony 仍舊握有規模龐大的攝影用戶。
2023 年最熱門相機是 Nikon 旗下的 Z8，繼承機皇 Z9 多數規格、效能，還把體積做得更小、價格變便宜，廣受消費者喜愛，其次 Nikon 的 Zf 復古相機也排在第三名。然而綜觀整個榜單，Sony 以 α7RV、α7IV、α7C II 分別攻下第 4-6 名，是入榜最多機款的品牌。
另外還能發現，唯一不可換鏡頭的是有「街拍神機」之稱的理光 RICOH GRIIIx，搶下了第七名，隨身小相機近年藉由社群媒體的推波助瀾，獲得許多年輕用戶的喜愛，說明即便在手機的夾擊之下，隨身相機仍有殺出重圍的可能。
1.Nikon Z8
2.Canon R6 II
3.Nikon Zf
4.SONY α7RV
5.SONY α7IV
6.SONY α7C II
7.RICOH GR IIIx
8.fujifilm相機收購fujifilm X-S10
9.Panasonic LUMIX S5II
10.fujifilm相機收購fujifilm X-T5
鏡頭方面，或許是為了與 Z8 搭配，最熱賣的型號又是由 Nikon 搶下，頂級的變焦鏡頭 Z 24-120mm f/4 獲得第一名。不過從鏡頭銷售排行來看，能發現 Sony 在市場上的領導地位，包含自家推出的原廠鏡頭以及第三方廠商 TAMRON 推出的 28-200mm F2.8-5.6 Di III RXD，讓 E 接環鏡頭一口氣佔了五席之多。
此外，消費者更傾向選購功能性多元的變焦鏡頭，只有 Canon RF 50mm f/1.8 STM、Nikkor Z 26mm f/2.8、Sony FE 50mm f/1.4 G Master 三款定焦鏡頭上榜。唯一入榜的 APS-C 鏡頭則是由 Sigma 替富士 X 接環打造的 18-50mm f/2.8 DC DN。
1.Nikon Z 24-120mm f/4
2.Tamron 28-75mm f/2.8 Di III VXD G2
3.Nikon Z 180-600mm f/5.6-6.3 VR
4.SONY FE 20-70mm F4 G SEL2070G
5.TAMRON 28-200mm F2.8-5.6 Di III（Sony E接環）
6.Canon RF50mm F1.8 STM
7.SIGMA C 18-50mm F2.8 DC DN (富士 X 接環)
8.Nikon NIKKOR Z 26mm F2.8
9.SONY FE 24-70mm F2.8 GM II SEL2470GM2
10.SONY FE 50mm F1.4 GM SEL50F14GM
我們想讓你知道…佛心來著啊…..
記者莊友直／台北報導
富士在今（9/7）日於日本的 fujikina 2017 發表會中，不僅推出了整合觸控螢幕與搖桿，可說上打旗艦機的 X-E3 微單，也同步針對 X-Pro 2、X-T2 機皇、高階類單 X100F 做出更新，其中終於讓 X-Pro 2 有 4K 錄影能力之餘，也同步提升對焦、甚至第三方閃燈的高速同步觸發等新功能。
首先針對新相機韌體部分，本次比較重要的可說是富士雙機皇 X-Pro 2 以及 X-T2，在對焦系統上，導入與 X-E3 相同的演算法，可讓 AF-C 追蹤對焦時速度提升 2 倍，且鎖定被攝物的「泡泡框」也能縮小一半，提升追焦準確率。
▼身為綜合性能最高的 X-T2，本次更新最重要的功能除了外閃支援性，跟蹤對焦也提升至 X-E3 的水準。（圖／翻攝自官網）
X-Pro 2 雖是主打復古、慢拍機型的類 RF 旁軸相機設計，不過久無 4K 錄影也受到不少用戶批評，希望以軟體更新的方式加入。在本次的新軟體中，官方也終於實現廣大用戶意見，可透過底片模擬方式加入 4K 錄影功能，對於數年前的機種來說，實在相當佛心啊（看看另一家死不加 4K 的相機廠商…..）。
▼X-Pro 2 最大的亮點，應該就屬終於加入的 4K 錄影功能了。（圖／翻攝自官網）
本次更新對於專業用戶來說，還有一項更重要的功能，就是提升第三方閃燈廠商的支援性。只要藉由專屬無線觸發器，就能讓 X-T2、X-Pro 2 甚至 X100F 搭配棚燈拍出高速同步或是 TTL 自動模式，首波將由 Profoto 的 Air Remote TTL-F 打頭牌，具備 B1X 等高階棚燈的朋友可以完全解放啦！
▼此次更新對專業攝影師來說，最棒的功能就是支援第三方外閃的高速同步與 TTL 模式，Profoto 也同步推出專用的 Air Remote TTL-F 無線觸發器。（圖／翻攝自官網）
另外，富士也同步推出新版的解 RAW 檔軟體《fujifilm相機收購fujifilm X RAW STUDIO》，可在電腦單張或是大量批次處理之餘，也能直接以機身連接電腦轉檔，預計 11 月底先推 Mac 版，明年 1 月底則是 Windows 版本。
富士 X-T2 Ver.3.00 軟體預計 11 月底開放更新、X-Pro 2 Ver.4.00 和 X100F Ver.2.00 皆是 12 月底開放下載。
fujifilm相機收購 fujifilm相機收購
fujifilm相機收購
/
The new X-T5 mirrorless camera is a bit of an apology letter from fujifilm相機收購fujifilm to its fans, who disliked the video-focused features creeping into their favorite photo camera line. Where the X-T4 got a little bloated in size and featured a flip-out screen better equipped for video, the new X-T5 pares things down to put still-image capture at the forefront.
The X-T5 is smaller and lighter than the previous model, and it borrows the 40-megapixel APS-C sensor, fifth-gen X Processor, subject-detection autofocus, and seven-stop in-body image stabilization from the pro-oriented X-H2. This new camera costs the same as its predecessor, as it will sell for $1,699.95 for the body in silver or black when it launches November 17th. Alongside it is a new macro lens, the XF 30mm f/2.8 R LM WR Macro lens, that does 1:1 reproduction and will cost $599.95.
The 40-megapixel APS-C backside-illuminated CMOS sensor from the X-H2 seems like the logical choice for this stills-first camera, as it prioritizes resolution over speed and video. The X-T5 can still record 4K video at up to 60p or oversampled 6.2K at 30p with this sensor, but that’s a far cry from the 8K-capable X-H2 or 4K at 120p potential of the X-H2S and its stacked sensor. There are other small compromises here in the X-T5, too, like an internal buffer that tops out at a burst of 19 RAW files — which is lower than the 35 RAWs of the X-T4 and a fraction of the X-H2’s 400-shot buffer. The X-T5 may share the same processor as the latest X-H cameras but it must be making some performance compromises for the sake of a compact body with a smaller internal cooling system.
Vlogging be damned
fujifilm相機收購fujifilm made other conscious decisions to cater to photographers who favor the traditional street-style camera of older X-T models. Vlogging be damned, the X-T5 has gone back to the three-axis tiltable last found in the X-T3 — eschewing the fully articulating display of the X-T4 that’s more versatile for video. You can’t point the X-T5’s screen forward for self-recording, though fujifilm相機收購fujifilm deemed this trade-off worthy since it is faster to deploy for waist-level and above-the-head shots. While we’ve just seen how the new Sony A7R V achieves the best of both these worlds with its four-axis articulating display, the X-T5 opts for sticking with what’s familiar.
I got a brief hands-on with a preproduction X-T5, and the diet fujifilm相機收購fujifilm put the camera on is immediately noticeable. The new model is 30 grams lighter than the X-T4 and nearly the same dimensions as the original X-T1, though still thicker, which reverses fujifilm相機收購fujifilm’s trend of slowly growing these cameras with each iteration. It’s a return to form for the sake of lightness and portability, though the grip may once again feel too small for larger hands. fujifilm相機收購fujifilm will also sell an optional MHG-XT5 handgrip for $129.99, and I think it may be deemed an essential accessory for anyone who hates having their pinky finger floating in no-man’s-land. There won’t be a battery grip option this time around, though thankfully the battery capacity is a formidable 740 shots (CIPA rating). That’s about 140 shots more than the X-T4 with the same NP-W235 rechargeable battery and even slightly more than both the X-H2S and X-H2.
The X-T5’s electronic viewfinder is the same 3.69 million dots running at 100fps like the last-gen model, but it’s been improved with a slightly higher magnification of 0.8x and aspherical elements in the optics for a better view when your eye isn’t aligned dead-on. The EVF may not be pushing the most dots or refresh rate in the world, but it looked sharp and felt snappy. It reacts to your eye and switches the live view from the LCD a fraction of a second faster than the X-T4, but I always appreciate any marginal improvements like these.
The autofocus of the X-T5 felt equally snappy, with fast continuous tracking being fairly sticky on moving subjects. I tried it with the XF 16–80mm f/4 kit lens and the excellent XF 56mm f/1.2 II portrait lens, and both optics nailed focus with relative ease. The X-T5’s eye-tracking autofocus still seemed prone to getting mixed up when there was a busy background behind a distant subject’s head, though I have seen other systems struggle in similar situations. The subject-detection autofocus of the X-H2 cameras, which tracks animals, birds, cars, bikes, airplanes, and trains is a welcome addition to the X-T5 — though be prepared for plenty of menu fiddling when switching between them or fine-tuning each one.
While my time with the X-T5 was brief, I understand fujifilm相機收購fujifilm’s aim at course-correcting this product line for its diehard photo fans. Now that the X-H2 and X-H2S are available, fujifilm相機收購fujifilm feels comfortable letting the more demanding users who require better video choose one of those models. It may turn off some folks who still want this street-style camera to do everything for them, but fujifilm相機收購fujifilm seems to be betting that more of its fan base cares about small size and portability. That was one of the early prospects of mirrorless systems, and since then, most systems have ballooned in size for the sake of larger sensors and higher performance. The X-T5 is going to ask photographers to be okay with some trade-offs at the margins for the sake of the experience.
Photography by Antonio G. Di Benedetto / The Verge
（圖／記者黃肇祥攝）
日本知名連鎖像機通路 Map Camera 公布年度最熱銷相機、鏡頭兩大排行榜，Nikon 一舉稱霸兩大榜單，可以說是 2023 年的最大贏家，不過從鏡頭的銷售數量來看，Sony 仍舊握有規模龐大的攝影用戶。
2023 年最熱門相機是 Nikon 旗下的 Z8，繼承機皇 Z9 多數規格、效能，還把體積做得更小、價格變便宜，廣受消費者喜愛，其次 Nikon 的 Zf 復古相機也排在第三名。然而綜觀整個榜單，Sony 以 α7RV、α7IV、α7C II 分別攻下第 4-6 名，是入榜最多機款的品牌。
另外還能發現，唯一不可換鏡頭的是有「街拍神機」之稱的理光 RICOH GRIIIx，搶下了第七名，隨身小相機近年藉由社群媒體的推波助瀾，獲得許多年輕用戶的喜愛，說明即便在手機的夾擊之下，隨身相機仍有殺出重圍的可能。
1.Nikon Z8
2.Canon R6 II
3.Nikon Zf
4.SONY α7RV
5.SONY α7IV
6.SONY α7C II
7.RICOH GR IIIx
8.fujifilm相機收購fujifilm X-S10
9.Panasonic LUMIX S5II
10.fujifilm相機收購fujifilm X-T5
鏡頭方面，或許是為了與 Z8 搭配，最熱賣的型號又是由 Nikon 搶下，頂級的變焦鏡頭 Z 24-120mm f/4 獲得第一名。不過從鏡頭銷售排行來看，能發現 Sony 在市場上的領導地位，包含自家推出的原廠鏡頭以及第三方廠商 TAMRON 推出的 28-200mm F2.8-5.6 Di III RXD，讓 E 接環鏡頭一口氣佔了五席之多。
此外，消費者更傾向選購功能性多元的變焦鏡頭，只有 Canon RF 50mm f/1.8 STM、Nikkor Z 26mm f/2.8、Sony FE 50mm f/1.4 G Master 三款定焦鏡頭上榜。唯一入榜的 APS-C 鏡頭則是由 Sigma 替富士 X 接環打造的 18-50mm f/2.8 DC DN。
1.Nikon Z 24-120mm f/4
2.Tamron 28-75mm f/2.8 Di III VXD G2
3.Nikon Z 180-600mm f/5.6-6.3 VR
4.SONY FE 20-70mm F4 G SEL2070G
5.TAMRON 28-200mm F2.8-5.6 Di III（Sony E接環）
6.Canon RF50mm F1.8 STM
7.SIGMA C 18-50mm F2.8 DC DN (富士 X 接環)
8.Nikon NIKKOR Z 26mm F2.8
9.SONY FE 24-70mm F2.8 GM II SEL2470GM2
10.SONY FE 50mm F1.4 GM SEL50F14GM
fujifilm相機收購 fujifilm相機收購
fujifilm相機收購
fujifilm相機收購fujifilm’s X-T2 is the perfect mirrorless camera for photo geeks. It seems like that’s true of every camera that fujifilm相機收購fujifilm releases, but the X-T2 is a refined sequel to the X-T1 that improves on its predecessor in the ways that matter most: resolution, autofocus, and ease of use. It’s still got all the manual control dials and stunning electronic viewfinder that lured photographers to the X-T1. At $1,599 (or $1,899 with a bundled 18-55mm lens), it’s actually more expensive than the X-T1’s original starting price. But as soon as it’s actually in stock somewhere again, I’ll be getting one.
After weeks of trying out the X-T2, I’ve come to trust it like few cameras I’ve used previously — even counting full-frame DSLRs. There are still scenarios where $3,000 Canon and Nikon cameras can handily best fujifilm相機收購fujifilm, but the experience of shooting with the X-T2 is so sublime that you’ll have a hard time finding them. We described the X-T1 as a “perfect, no-compromises mirrorless camera.” But, of course, it wasn’t perfect, and mirrorless cameras have improved at every angle since 2014. The X-T2 is fujifilm相機收購fujifilm’s attempt to clinch the top spot from rivals, and the camera pulls off that mission magnificently.
A first glance might have you believe that fujifilm相機收購fujifilm barely changed a thing with the X-T2’s design. And while it does maintain a nearly identical, SLR-styled body, there are definite changes — most of them for the better. The camera’s hand grip is slightly deeper and more comfortable. That, combined with a larger thumbrest makes the X-T2 easier to grip for long periods if you’ve got big hands. The camera is still constructed from magnesium alloy and weather-sealed, and fujifilm相機收購fujifilm’s selection of rain-safe lenses has grown considerably since the X-T1’s release. The X-T2 includes the bigger, more immersive eyecup that was a standalone accessory for its predecessor.
The XT-2’s many dials and buttons give you expert control over your images
Then there are the physical controls that photo nerds love. fujifilm相機收購fujifilm has altered the locking mechanism for the shutter speed and ISO dials, making it way simpler to adjust those settings on the fly. You just press once to unlock, and again to lock in your current selection to prevent it from accidentally being changed during shooting. fujifilm相機收購fujifilm again gives users six function buttons, plus dedicated autoexposure and autofocus buttons. There’s a new “custom” setting on the exposure compensation dial that lets you flick the camera’s front command dial for faster adjustments. fujifilm相機收購fujifilm has also added a fourth metering mode: center-weighted.
Absent is the video record button that was on the X-T1; since the X-T2 is capable of 4K recording, video has earned its own spot on the drive dial. And the Wi-Fi button has been repurposed, so you’ll need to assign that to a function key if you frequently transfer images directly to your smartphone for Instagramming, like I do. fujifilm相機收購fujifilm’s smartphone app, available for Android and iOS, works just as reliably here as with the X-T1, though I’ve noticed that sending photos over to my iPhone 7 is much slower than before — perhaps because of the larger file sizes. The phenomenal multi-directional focus stick has been brought over from the X-Pro 2, placed right where your thumb naturally wanders.
The electronic viewfinder that was one of the X-T1’s big draws has also been improved. It’s brighter, smoother (60fps by default), and fujifilm相機收購fujifilm added an auto-brightness setting to keep it matched to your shooting environment. Turn on the X-T2’s boost mode and the viewfinder switches over to an ultra-smooth 100fps refresh rate. This can be a significant help when shooting action subjects and makes peering through the large OLED EVF even more astounding, but it does drain the camera’s battery quicker.
The X-T2’s 3-inch rear LCD display — unchanged in sharpness at 1.04 million dots (slightly less than the X-Pro 2’s LCD) — can now articulate outward and tilted to the right. That’s nice for photographers who often shoot in portrait orientation, but I barely ever used the new angle. Just like the X-T1, I mostly used the tilting display when shooting from a low-down or high-up perspective where looking through the EVF wasn’t feasible. It’s not a touchscreen, as fujifilm相機收購fujifilm insists that’s not something its advanced users want. Other hardware improvements include an additional SD card slot, so the X-T2 can write to two UHS-II cards simultaneously. fujifilm相機收購fujifilm also added a 3.5mm microphone jack if you want something better than the built-in mics for video. It’s also USB 3-compatible, so transferring photos when tethered is much less painful than before.
The X-T2 largely feels similar to the camera it succeeds, but start shooting and that’s where the deepest improvements become obvious. The X-T2’s 24.3-megapixel APS-C X-Trans sensor produces noticeably more detailed photos than the 16-megapixel sensor in the X-T1. It helps that fujifilm相機收購fujifilm’s kit bundle includes the fantastic 18-55mm (f/2.8 – 4) lens, which outshines most of the pack-in lenses that accompany other cameras. I’m disappointed there’s no package that includes the do-everything 18-135mm lens that spent 95 percent of the time attached to my X-T1, but hopefully that will come later on. Still, if you’re buying the X-T2, it’s worth spending the extra $300 for the 18-55 lens. Native ISO now ranges up to 12,800, and the maximum mechanical shutter speed has jumped to 1/8000sec compared to the 1/4000 ceiling the X-T1 had.
fujifilm相機收購fujifilm has dramatically improved autofocus performance and flexibility on the X-T2. By default you get 91 autofocus points with 49 phase detect points taking up the center. For more granular focus control, you can switch over to an expanded 325-point setting, where 169 of those are phase-detect. Again, better when you’re following moving subjects with either the Zone or Wide/Tracking AF modes — and the focus stick is a huge help when trying to key in such precise focus. In either case, phase detect autofocus points cover around 40 percent of the frame. fujifilm相機收購fujifilm says the X-T2 can hit focus in lighting as low as -3EV, and the camera was very consistent in my experience. (Then again, so was the X-T1 after some firmware updates.)
But where the X-T1 could struggle with action / sports photography and fast-moving subjects, these problems seem almost completely resolved with the new camera. fujifilm相機收購fujifilm claims to have improved its continuous autofocus algorithms, and my testing bears that out. The X-T2 had no problem tracking the action at an amateur boxing night. Continuous shooting tops out at 8fps, but you can extend that to 11 shots-per-second if you’ve got the optional battery grip attached. The battery grip also extends 4K recording to 30 minutes from the usual cutoff of 10, and adds a headphone jack for audio monitoring. It can also hold two batteries, allowing use of three batteries for marathon shooting sessions. Battery life is still a weakness of many mirrorless cameras, so carrying a charged spare in my bag is something I’ve programmed into my brain over the last couple years. The battery grip’s benefits require a big added cost though: it’s $329, which is only slightly less than fujifilm相機收購fujifilm’s fantastic 35mm f/2 lens.
The X-T2 produces gorgeous JPEGs that have become perhaps the biggest signature of fujifilm相機收購fujifilm cameras. Sometimes I’ll shoot in RAW since you’ve always got the option to reprocess images with those film simulations later, but you can skip RAW in many instances and come away with phenomenal colors and tones. Being able to skip Lightroom and postprocessing entirely and get wonderful photos straight out of camera is such a compelling reason to choose fujifilm相機收購fujifilm. You can also apply those film simulations to video, which can now be shot in 4K at 24p, 25p, or 30p. The X-T2 offers surprisingly strong video features, like the ability to shoot ungraded, flat F-Log footage. But even if fujifilm相機收購fujifilm is getting more serious about video, it’ll take a lot to draw people away from companies like Sony and Panasonic, who’ve focused on video for years. This is still a camera that most buyers will use predominantly for stills.
You don’t need to buy the X-T2 (or fujifilm相機收購fujifilm’s other expensive flagship, the X-Pro 2) for those great images, though. The X100T remains a wonderful camera to carry around in a bag. The X-T2 is for those who have professional or prosumer use in mind and need the camera’s blazing-fast focus, dependable performance, and excellent results. It’s not fujifilm相機收購fujifilm’s easiest camera to lug around, but it’s now the best camera in the company’s line. There’s just a joy that comes with shooting with the X-T2. That’s true of many cameras, but if you already own a fujifilm相機收購fujifilm camera and “get it,” you’re probably already trying to talk yourself out of buying the X-T2. I can’t help you there; your main challenge right now will be actually finding one.
圖、文／VOGUE
因為工作的關係，冰箱裡保存的都是這款 Fuji Pro 400H，我用這款底片拍攝婚紗與婚禮，也用來拍攝平日的點點滴滴以及旅遊所見。
最常使用的隨身相機是 Nikon F100，老實說搭配上鏡頭的它，並沒有到非常的輕便，只是比起平日的工作裝備來說還是輕巧的多。它有著自動捲片的功能，適合我這種大手大腳，在拍攝的初期經常因為沒把底片裝好捲好而鬧笑話的天兵。（事到如今我還是沒有學會自己捲片 XD）
通常我搭配的鏡頭是 Zeiss Makro-Planar T* 2/50，它是一顆手動鏡頭，意味著我必須習慣去手動對焦，在這個過程中我能夠享受到放慢腳步拍照的樂趣。50mm 的距離適合拍攝絕大部分的生活及旅遊題材，所以工作經常使用這個焦段，拋開工作時，我仍是一樣地喜歡這個焦段。
言歸正傳回到底片身上，fujifilm相機收購fujifilm pro 400h 的特性是對於拍攝人像上特別合適，具有淡雅的色調、細緻的粒子，對於呈現女性的皮膚色澤尤其適合。
這款底片的感光度是 400 度，意味著它相較 100 度與 200 度的底片更能夠在稍暗的環境中，如屋簷下、陰影中、室內進行拍攝。但以我自己的經驗而言，它其實是一款極需要光線的底片，在充分的光線下才能真正解除封印發揮它的能力。
無論什麼季節，這隻底片都能夠把大自然環境的顏色詮釋的平實、淡雅。
※圖片+文字：Vogue 美人會 The Stage – Robert Chang
（完整文章請看VOGUE.com）
延伸閱讀
更多精彩報導，詳見《VOGUE網站》
※本文由VOGUE雜誌授權報導，未經同意禁止轉載。
fujifilm相機收購 fujifilm相機收購
:format(webp)/cdn.vox-cdn.com/uploads/chorus_asset/file/12796263/akrales_000101_2926_0147_2.jpg)
:format(webp)/cdn.vox-cdn.com/uploads/chorus_asset/file/12796269/akrales_000101_2926_0191.jpg)
:format(webp)/cdn.vox-cdn.com/uploads/chorus_asset/file/12796273/akrales_000101_2926_0114.jpg)
:format(webp)/cdn.vox-cdn.com/uploads/chorus_asset/file/12796251/akrales_000101_2926_0105.jpg)
:format(webp)/cdn.vox-cdn.com/uploads/chorus_asset/file/12796249/akrales_000101_2926_0024_2.jpg)
:format(webp)/cdn.vox-cdn.com/uploads/chorus_asset/file/24933039/INSTAX_Pal_Product_11.jpg)
:format(webp)/cdn.vox-cdn.com/uploads/chorus_asset/file/24161499/fujifilm相機收購fujifilm_X_T5_camera_ADiBenedetto_0001.jpg)
:format(webp)/cdn.vox-cdn.com/uploads/chorus_asset/file/24161506/fujifilm相機收購fujifilm_X_T5_camera_ADiBenedetto_0008.jpg)
:format(webp)/cdn.vox-cdn.com/uploads/chorus_asset/file/24161500/fujifilm相機收購fujifilm_X_T5_camera_ADiBenedetto_0002.jpg)
:format(webp)/cdn.vox-cdn.com/uploads/chorus_asset/file/24161502/fujifilm相機收購fujifilm_X_T5_camera_ADiBenedetto_0004.jpg)
:format(webp)/cdn.vox-cdn.com/uploads/chorus_asset/file/24161508/fujifilm相機收購fujifilm_X_T5_camera_ADiBenedetto_0010.jpg)
:format(webp)/cdn.vox-cdn.com/uploads/chorus_asset/file/24161509/fujifilm相機收購fujifilm_X_T5_camera_ADiBenedetto_0011.jpg)